_valerian

April 22, 2012

A change of leather-scenery

Filed under: cameras — John @ 10:25 pm

Here’s a casual how-to on replacing the camera leather on your camera.

I got mine from Aki Asahi, a producer of many different types of camera leathers with self-adhesive backs. I had purchased some of his stuff once before, recovering a few Polaroid SX-70s and an old OM-1 a few years ago. He’s great to do business with- even ships before receiving payment (!). He sells a set for the Leica M6 / MP, and thanks to the aforementioned pre-adhesive backing AND the extremely precise laser cuts of leather that Aki Asahi supplies changing the skin on my camera was far easier than I thought it was going to be.

You’ll need the following:

- A camera.
- A new leather cover. This example uses the #4008 leatherette, a close match to the original M3 Vulcanite.
- A small flathead screwdriver.
- A small paint brush.
- Some rubbing alcohol. (pouring a little into a plastic film canister can help with this task)
- A smooth, flat surface to work. (I used the black plastic bag in the photo above)
- About an hour of your time.

Front:

This camera has been covered twice (three times?) during high level maintence/repair trips to the Leica service center. Each time the camera came back there has been a bubble in the leather near the frame preview lever. You can see it in the image above. I’ve seen many used M7s in the shops with the leather starting to curl and peel off from the edges. Come to think of it, I’ve seen Leica M9s already in similar condition as well.

Rear view- There used to be a full coat of thick paint on edges to the sides of the rear door. Not anymore and not for a long time.

The stock leatherette on the Leica MP is kind of like what you’d find at the bottom of a jacuzzi to keep people from slipping. There’s nothing wrong with it, really. But why not change things up a little? The worst thing that’ll happen (from my own experience) is that Shinya Arimoto will call you a geek (’tis true). Rather than your actual images, the only thing it will slightly alter is a tactile relationship your hands have with your camera. This, and the reasonable pricing of Aki Asahi’s wares was enough for me to try it out.

The stock leatherette peels off fairly easily- use a small screwdriver to get it started. It may tear in a few places, particularly around the lens and frame preview lever, though. Brushing some alcohol onto the remaining bits of adhesive on the body and letting it sit for a little bit made them easy to remove. But DON’T USE A TISSUE because your work will have just doubled or tripled with all the little shreds of tissue that you’ll have to remove afterwards. Rounding it all up with a small flathead screwdriver and removing it your fingers works best.

When totally naked your camera will look like this:

What follows was a process which didn’t let me stop to snap any photos. For a more visually detailed explanation of what comes next the step by step example on the Aki Asahi website is very useful.

For a Leica, first take the bottom plate and battery cap off before proceeding. You won’t need to remove any other parts of your camera, even the film rewind and frame selector levers.

Once ready, peel off the new leatherette from it’s wax paper backing and lay it face down onto a smooth surface that you can get wet with rubbing alcohol. Once it is laid flat, with the paint brush apply a liberal amount (I’m talking Ted Rall levels) of rubbing alcohol to the adhesive. This will weaken the stickiness just enough for you to make adjustments in positioning of the cover when applying it to the camera body.

For a Leica M, the leatherette has a hole to let the frame preview lever poke through. START HERE. Once that is positioned, wrap the leather around the rest of the body. Work it upwards with your fingers and check that the edge of the cover is tight with the edge of the top plate. Remember that little flathead screwdriver I mentioned earlier? Use that to gently press down the edges of the leather around any camera parts that it meets up against. In particular, around the lens mount and battery compartment.
Once it dries the leather will hold just as tight at anything from the factory.

I was rather pleased with the results- it looks almost exactly like what Leica is dressing up their Leica M9-P bodies in and is grippier than the standard cover the camera originally came with. I ought to mention the service price sheet at the Leica service center includes leather recovering— for 50,000 yen. That’s about $500 USD. Aki Asahi’s prices are far easier on one’s wallet.

Is all this really necessary?

Of course not.

Kind of fun?

Sure.

Aki Asahi supplies leathers for a whole slew of cameras- check out his store to see the full selection.

April 10, 2012

Scratching the surface of Hong Kong

Filed under: darkroom,Photography — John @ 10:14 pm

( U*P*D*A*T*E This is admittedly one of the least essential entries in the history of this blog. Really. )

On a trip to Map Camera a couple of weeks ago I picked up a modular data back for my Contax T3. The rear doors are easily changed and I was interested in seeing what it would be like to see what kind of work I’d make with those little numbers imprinted in the lower right corner. A week later, I took the T3 on a short trip to Hong Kong. Leaving the Leicas at home I loaded the T3 with black and white Fuji Presto and shot some color film through a Fuji Natura Classica and this weirdo Fuji HD-M I picked up from the junk bin at a camera fair.
Of the 12 rolls of Fuji Presto, 10 went through the T3. All ten of these came off the reels out of the wash showing several scratches on the emulsion side of the film down the entire length of the rolls. (The two rolls shot with the HD-M though, were fine.) This T3 had been serviced for a faulty take-up spool back in September of 2011, with similar, yet intermittent scratches from a few rolls before it went out of commission.
Since the film I shot with it post-repair has all been scratch-free, it could have only been the fault of the new data back. As I test I loaded an expired roll of color film and fired off about six frames. After rewinding the film and pulling out the tip with a film picker, I was able to see the same kind of scratches in the same place in the emulsion. Next I changed the rear door back to the original one and repeated the experiment with another fresh and expired roll of film. No scratches were to be found with this second test roll.

The culprit (other than my own lack of checking new used gear before traveling abroad) might have to do with the battery in the data back. The date function is powered not by the camera but by a flat battery which fits snugly in a shallow compartment under the metal film rollers that you can see by the red arrow in the photo below. (The stock film door is attached to the camera in this photo.)

What I think happened is that after inserting a fresh battery I didn’t tighten the two small screws that hold both the battery cap AND rear roller assembly down tight enough. Therefore the springy rollers pushed down with enough force to scratch the film as it was wound both ways first out and then back into the canister.

Eh, I’m not too angry or devastated or anything. When you mess up, you mess up. And Hong Kong is definitely a place I’ll be returning to sometime soon. What an amazing city. Color is likely the best way to go about it, anyway. Some scans of those prints will be up here soon.

April 8, 2012

Cherry Blossoms get taken

Filed under: 出時多流 — John @ 9:36 pm

The Japanese camera industry was built in part upon the annual blooming of Japanese cherry trees. It’s an interesting time of year and with the warmer weather it’s a damn fine time for photography. My personal interest is not simply in the blossoms themselves (Lee Friedlander took care of that), but all that goes on around and under them.

Some digital snaps from the weekend:

April 5, 2012

Haruto Hoshi at 3rd District Gallery

Filed under: exhibitions,tokyo — John @ 10:40 pm

I stopped by 3rd District Gallery this evening to check out Haruto Hoshi’s latest exhibition: Shinjuku 2003 – 2008.

The title sums up the pictures. Rather than his usual set of new photos, Hoshi hit his archive for this show. He told me tonight he figured there was about 200 prints on the walls of the gallery was after the impact of viewing so many pictures at once. With his permission I took a few shots to share with you here.

The actual show is up until April 11th. Well worth checking out if you are in Shinjuku anytime then. The gallery is near Shinjuku san-chome exit C5, on the 4th floor above an underwear shop. Here’s a map.

« Newer PostsOlder Posts »

Powered by WordPress

Bad Behavior has blocked 93 access attempts in the last 7 days.